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〈Articles〉シャルル・クロという問題系——録音技術から捉える——
https://kindai.repo.nii.ac.jp/records/20539
https://kindai.repo.nii.ac.jp/records/20539e4a73659-e72e-4517-b2a4-822d8bd9065e
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
AA12777724-20191100-0045.pdf (1.9 MB)
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| Item type | ☆紀要論文 / Departmental Bulletin Paper(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2020-02-18 | |||||||||
| タイトル | ||||||||||
| タイトル | 〈Articles〉シャルル・クロという問題系——録音技術から捉える—— | |||||||||
| タイトル | ||||||||||
| タイトル | 〈Articles〉The Problematique of Charles Cros: In the Context of Sound Recording Technology | |||||||||
| 言語 | en | |||||||||
| 著者 |
福田, 裕大
× 福田, 裕大
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| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| キーワード | ||||||||||
| 主題 | シャルル・クロ, 録音技術, 十九世紀フランス哲学, アントワーヌ・クロ, ヴィリエ・ド・リラダン | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| 著者(英) | ||||||||||
| 言語 | en | |||||||||
| 値 | Fukuda, Yudai | |||||||||
| 著者 所属 | ||||||||||
| 値 | Faculty of International Studies, Kindai University; Associate Professor | |||||||||
| 版 | ||||||||||
| 出版タイプ | NA | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_be7fb7dd8ff6fe43 | |||||||||
| 出版者 名前 | ||||||||||
| 出版者 | Faculty of International Studies, Kindai University | |||||||||
| 書誌情報 |
Journal of International Studies 号 4, p. 45-76, 発行日 2019-11 |
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| ISSN | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 24322938 | |||||||||
| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | [Abstract] This study reexamines the historical significance of research on sound recording technology conducted by the French poet and scientist Charles Cros (1842–1888). Setting the tone for the discussion, I critically examine the mainstream stance toward the history of technology. Moreover, I reflect on the contents of one of my books, Charles Cros, Poet and Scientist: Poems, Sound Recording, and Color Photography, published in 2014, using this as a foundation for further discussion. Furthermore, in order to position his research on sound recording technology within the intellectual and cultural context of the era in which it was created, I make reference to related texts from the same period throughout the discussion. In particular, I examine Charles Cros’ own theory of perception, the physiological writings of his older brother Antoine, and The Future Eve, a novel written by Villiers de l’Isle-Adam. Through this discussion, I suggest that the sound recording technology Charles Cros designed was not a device for recording and playing music but was linked to major research on mechanistic methods of examining the human body. | |||||||||
| フォーマット | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | application/pdf | |||||||||
