{"created":"2023-06-20T16:48:36.325755+00:00","id":20539,"links":{},"metadata":{"_buckets":{"deposit":"f33fb53f-f3ee-4b24-8969-5bcb66aedb26"},"_deposit":{"created_by":3,"id":"20539","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"20539"},"status":"published"},"_oai":{"id":"oai:kindai.repo.nii.ac.jp:00020539","sets":["14:923:4324:4557"]},"author_link":["34974"],"item_2_biblio_info_21":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2019-11","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"4","bibliographicPageEnd":"76","bibliographicPageStart":"45","bibliographic_titles":[{"bibliographic_title":"Journal of International Studies"}]}]},"item_2_description_33":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"[Abstract] This study reexamines the historical significance of research on sound recording technology conducted by the French poet and scientist Charles Cros (1842–1888). Setting the tone for the discussion, I critically examine the mainstream stance toward the history of technology. Moreover, I reflect on the contents of one of my books, Charles Cros, Poet and Scientist: Poems, Sound Recording, and Color Photography, published in 2014, using this as a foundation for further discussion. Furthermore, in order to position his research on sound recording technology within the intellectual and cultural context of the era in which it was created, I make reference to related texts from the same period throughout the discussion. In particular, I examine Charles Cros’ own theory of perception, the physiological writings of his older brother Antoine, and The Future Eve, a novel written by Villiers de l’Isle-Adam. Through this discussion, I suggest that the sound recording technology Charles Cros designed was not a device for recording and playing music but was linked to major research on mechanistic methods of examining the human body.","subitem_description_type":"Abstract"}]},"item_2_description_41":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_2_publisher_14":{"attribute_name":"出版者 名前","attribute_value_mlt":[{"subitem_publisher":"Faculty of International Studies, Kindai University"}]},"item_2_source_id_22":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"24322938","subitem_source_identifier_type":"ISSN"}]},"item_2_text_7":{"attribute_name":"著者(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Fukuda, Yudai"}]},"item_2_text_8":{"attribute_name":"著者 所属","attribute_value_mlt":[{"subitem_text_value":"Faculty of International Studies, Kindai University; Associate Professor"}]},"item_2_version_type_12":{"attribute_name":"版","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_be7fb7dd8ff6fe43","subitem_version_type":"NA"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"福田, 裕大"},{"creatorName":"フクダ, ユウダイ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"34974","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-02-18"}],"displaytype":"detail","filename":"AA12777724-20191100-0045.pdf","filesize":[{"value":"1.9 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"AA12777724-20191100-0045.pdf","url":"https://kindai.repo.nii.ac.jp/record/20539/files/AA12777724-20191100-0045.pdf"},"version_id":"2cb23347-e327-4e4e-8551-c674012f7537"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"シャルル・クロ","subitem_subject_scheme":"Other"},{"subitem_subject":"録音技術","subitem_subject_scheme":"Other"},{"subitem_subject":"十九世紀フランス哲学","subitem_subject_scheme":"Other"},{"subitem_subject":"アントワーヌ・クロ","subitem_subject_scheme":"Other"},{"subitem_subject":"ヴィリエ・ド・リラダン","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"〈Articles〉シャルル・クロという問題系——録音技術から捉える——","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"〈Articles〉シャルル・クロという問題系——録音技術から捉える——"},{"subitem_title":"〈Articles〉The Problematique of Charles Cros: In the Context of Sound Recording Technology","subitem_title_language":"en"}]},"item_type_id":"2","owner":"3","path":["4557"],"pubdate":{"attribute_name":"公開日","attribute_value":"2020-02-18"},"publish_date":"2020-02-18","publish_status":"0","recid":"20539","relation_version_is_last":true,"title":["〈Articles〉シャルル・クロという問題系——録音技術から捉える——"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-06-20T18:54:00.477023+00:00"}