{"created":"2023-06-20T16:47:54.142277+00:00","id":19679,"links":{},"metadata":{"_buckets":{"deposit":"80bc5d63-8f02-4daa-966c-39b5c5038dce"},"_deposit":{"created_by":3,"id":"19679","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"19679"},"status":"published"},"_oai":{"id":"oai:kindai.repo.nii.ac.jp:00019679","sets":["14:2667:4459"]},"author_link":["33414"],"item_8_biblio_info_21":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2018","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"4","bibliographicPageStart":"1","bibliographic_titles":[{"bibliographic_title":"科学研究費助成事業研究成果報告書 (2017)"}]}]},"item_8_description_33":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"研究成果の概要（和文）：本研究は「アングラ演劇」を代表する作家である寺山修司と佐藤信を取り上げ、それぞれの創作における方法論を見直すことを目的とするものである。寺山研究では、なぜ寺山は「見世物小屋の復権」を唱え、見世物芸の何を創作に取り入れたのか初期作品から明らかにした。佐藤研究ではアンダーグラウンド・シアター自由劇場をかまえた後に、佐藤の初期作品が空間的にどのような変容を遂げたのかを分析した。加えて、関連資料の整理とリスト化、佐藤氏からの聞き取りをすることで、幼少期から劇団自由劇場を旗揚げする20代半ばまでの活動を調べた。研究成果は学会発表や展覧会を通して広く発表することができた。\n研究成果の概要（英文）：The purpose of this study is to review the way of creation of two artists, Shuji Terayama and Macoto Sato, both of whom are representative artists of Angura (Japanese avant-garde theater). Terayama advocated “Misemono Goya no Fukken, the resurrection of the show tent.” What elements did he notice in the performance of Misemono? How did he create his dramaturgy? In this study, I address these questions by analyzing Terayama’s early theater works.As part of my research on Sato, I analyze how his early works changed spatially following his establishment of the Underground Theatre Free Theatre. In addition, I study his activities from the time he was a young boy to when he created his theater company by arranging and listing pertinent materials and examining oral history. Further, I present my research results in academic conferences and exhibitions.","subitem_description_type":"Abstract"}]},"item_8_description_36":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"研究種目：基盤研究(C);  研究期間：2015～2017;   課題番号：15K02193;   研究分野：日本演劇;   科研費の分科・細目：","subitem_description_type":"Other"}]},"item_8_description_37":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"Research Paper","subitem_description_type":"Other"}]},"item_8_description_41":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_8_publisher_14":{"attribute_name":"出版者 名前","attribute_value_mlt":[{"subitem_publisher":"近畿大学"}]},"item_8_relation_11":{"attribute_name":"著者 外部リンク","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-15K02193/"}]}]},"item_8_text_10":{"attribute_name":"著者 役割","attribute_value_mlt":[{"subitem_text_value":"研究代表者"}]},"item_8_text_7":{"attribute_name":"著者(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"UMEYAMA,  Itsuki"}]},"item_8_text_8":{"attribute_name":"著者 所属","attribute_value_mlt":[{"subitem_text_value":"近畿大学文芸学部; 講師"}]},"item_8_text_9":{"attribute_name":"著者所属(翻訳)","attribute_value_mlt":[{"subitem_text_value":"Kindai University"}]},"item_8_version_type_12":{"attribute_name":"版","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_be7fb7dd8ff6fe43","subitem_version_type":"NA"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"梅山, いつき"},{"creatorName":"ウメヤマ, イツキ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"33414","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"50505401","nameIdentifierScheme":"研究者番号","nameIdentifierURI":" "}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-11-20"}],"displaytype":"detail","filename":"15K02193seika.pdf","filesize":[{"value":"160.9 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"15K02193seika.pdf","url":"https://kindai.repo.nii.ac.jp/record/19679/files/15K02193seika.pdf"},"version_id":"626394eb-27d9-40c7-92c5-47c93c3c492a"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"日本演劇","subitem_subject_scheme":"Other"},{"subitem_subject":"身体論","subitem_subject_scheme":"Other"},{"subitem_subject":"現代社会","subitem_subject_scheme":"Other"},{"subitem_subject":"文化論","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"research report","resourceuri":"http://purl.org/coar/resource_type/c_18ws"}]},"item_title":"アングラ演劇の演技と空間――寺山修司と佐藤信の作品をめぐって","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"アングラ演劇の演技と空間――寺山修司と佐藤信の作品をめぐって"},{"subitem_title":"Acting and Space of Angura, as represented by Shuji Terayama and Macoto Sato","subitem_title_language":"en"}]},"item_type_id":"8","owner":"3","path":["4459"],"pubdate":{"attribute_name":"公開日","attribute_value":"2018-11-20"},"publish_date":"2018-11-20","publish_status":"0","recid":"19679","relation_version_is_last":true,"title":["アングラ演劇の演技と空間――寺山修司と佐藤信の作品をめぐって"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-06-20T21:36:17.384023+00:00"}