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〈Articles〉「主婦」に見る「物質文化」への傾き
https://kindai.repo.nii.ac.jp/records/19149
https://kindai.repo.nii.ac.jp/records/1914970cb8b45-8e55-4900-bb9e-1c1db3c8211a
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
AA12777724-20171100-0069.pdf (719.1 kB)
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| Item type | ☆紀要論文 / Departmental Bulletin Paper(1) | |||||||||
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| 公開日 | 2018-01-26 | |||||||||
| タイトル | ||||||||||
| タイトル | 〈Articles〉「主婦」に見る「物質文化」への傾き | |||||||||
| タイトル | ||||||||||
| タイトル | 〈Articles〉Shen Congwen’s Fascination with Material Culture:Another Look at the Short Story, Housewife (1936) | |||||||||
| 言語 | en | |||||||||
| 著者 |
福家, 道信
× 福家, 道信
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| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| キーワード | ||||||||||
| 主題 | 沈従文, 文学, 物質文化史 Shen Congwen, literature, material culture |
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| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| 著者(英) | ||||||||||
| 言語 | en | |||||||||
| 値 | Fuke, Michinobu | |||||||||
| 著者 所属 | ||||||||||
| 値 | Faculty of International Studies, Kindai University; Professor | |||||||||
| 版 | ||||||||||
| 出版タイプ | NA | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_be7fb7dd8ff6fe43 | |||||||||
| 出版者 名前 | ||||||||||
| 出版者 | Faculty of International Studies, Kindai University | |||||||||
| 書誌情報 |
Journal of International Studies 号 2, p. 69-83, 発行日 2017-11 |
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| ISSN | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 24322938 | |||||||||
| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | [Abstract] Shen Congwen (1902-1988) left behind an outstanding legacy as a material culture researcher. His four books on the subject, "The Designs of Chinese Silk" (1957), "Bronze Mirrors of the Tang and Song Dynasties" (1958), and "Dragon and Phoenix Art" (1960), and "A Study of Ancient Chinese Costumes" (1981), have in common his strong interest in the field, an interest that began long before he started his literary career. Furthermore, even in his fiction, readers can often see signs of this fascination. In this thesis, we examine Shen’s short story, “Housewife,” in which the male protagonist displays an obsession with ceramics, and analyze the reasons for this obsession and the piece’s literary style. Previous research by Wu Lichang analyzes this story from a Freudian perspective. However, we will consider it from a broader viewpoint and examine how Shen Congwen’s deepening fixation with material culture became progressively apparent in his literary works. | |||||||||
| フォーマット | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | application/pdf | |||||||||
