WEKO3
アイテム
Blues Origins: Continuity, Community, and Communication
https://kindai.repo.nii.ac.jp/records/13712
https://kindai.repo.nii.ac.jp/records/1371262f1d00d-ba80-4afc-a90c-e9ac5d049d60
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
AA12482764-20080321-0121.pdf (1.8 MB)
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| Item type | ☆紀要論文 / Departmental Bulletin Paper(1) | |||||||
|---|---|---|---|---|---|---|---|---|
| 公開日 | 2012-05-31 | |||||||
| タイトル | ||||||||
| タイトル | Blues Origins: Continuity, Community, and Communication | |||||||
| 言語 | en | |||||||
| その他（別言語等）のタイトル | ||||||||
| その他のタイトル | アメリカのブルース：歴史とその発展 | |||||||
| 著者 |
Bayer, Konrad Sidney
× Bayer, Konrad Sidney
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| 言語 | ||||||||
| 言語 | eng | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | departmental bulletin paper | |||||||
| 著者(英) | ||||||||
| 言語 | en | |||||||
| 値 | ベイヤー, コンラッド シドニー | |||||||
| 著者 所属 | ||||||||
| 値 | Kinki University | |||||||
| 著者所属(翻訳) | ||||||||
| 値 | 近畿大学語学教育部; 非常勤講師 | |||||||
| 版 | ||||||||
| 出版タイプ | VoR | |||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||
| 出版者 名前 | ||||||||
| 出版者 | 近畿大学語学教育部 | |||||||
| 書誌情報 |
語学教育部ジャーナル en : Kinki University Department of Language Education journal 号 4, p. 121-140, 発行日 2008-03-01 |
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| 抄録 | ||||||||
| 内容記述タイプ | Abstract | |||||||
| 内容記述 | [Abstract] The origins of the blues is not known conclusively; however, there are numerous theories of the birth of the blues. The music evolved out of several song styles sung by Africans in America. Ultimately, slave songs were the immediate precursor of all African-American music. The blues retains elements of slave songs, such as veiled meaning; varied content, including complaint, revenge, resistance, satire, and protest; the music also functions as a kind of oral history, recording the lives of African-Americans. Slave songs were a conduit by which African culture was passed down from generation to generation; thus, the blues also retains such African musical practices as complex rhythms, the supernatural element, and the social function of the music. Music has provided the essential role of recreating African communities in the Americas. Like all African-American musical forms, the blues expresses personal feelings, which is possibly the most important aspect of the music. | |||||||
| 内容記述 | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | 著者専攻: 人文科学 | |||||||
| フォーマット | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | application/pdf | |||||||
